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The Art Directors Guild announced the nominations for the 25th ADG Awards for production design, which will be presented during a virtual ceremony on April 10.

The nominees for a period film are Mank, Ma Rainey’s Black Bottom, Mulan, News of the World and The Trial of the Chicago 7. The fantasy film category nominees are Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn, Pinocchio, Tenet, The Midnight Sky and Wonder Woman 1984. Elsewhere, the contemporary film nominees are Da 5 Bloods, I’m Thinking of Ending Things, Palm Springs and Promising Young Woman.

Over the past five years, the winner of the ADG’s period film prize went on to win the Oscar for production design twice, in 2018 for The Shape of Water and in 2020 for Once Upon a Time in Hollywood. The production design Oscar went to the winner of the fantasy category twice during that time, in 2016 for Mad Max: Fury Road and 2019 for Black Panther. And in 2017, La La Land picked up the ADG Award for a contemporary film on the way to winning the Oscar for production design.

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As previously announced, Ryan Murphy will receive the Cinematic Imagery Award during the ADG Awards presentation.

A complete list of nominees is below.


NOMINEES FOR FEATURE FILM:

PERIOD FEATURE FILM
Mank, Production Designer: Donald Graham Burt
Ma Rainey’s Black Bottom, Production Designer: Mark Ricker
Mulan, Production Designer: Grant Major
News of the World, Production Designer: David Crank
The Trial of the Chicago 7, Production Designer: Shane Valentino

FANTASY FEATURE FILM
Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn, Production Designer: K.K. Barrett
Pinocchio, Production Designer: Dimitri Capuani
Tenet, Production Designer: Nathan Crowley
The Midnight Sky, Production Designer: Jim Bissell
Wonder Woman 1984, Production Designer: Aline Bonetto

CONTEMPORARY FEATURE FILM
Da 5 Bloods, Production Designer: Wynn Thomas
I’m Thinking of Ending Things, Production Designer: Molly Hughes
Palm Springs, Production Designer: Jason Kisvarday
Promising Young Woman, Production Designer: Michael T. Perry
The Prom, Production Designer: Jamie Walker McCall

ANIMATED FEATURE FILM
A Shawn the Sheep Movie: Farmageddon, Production Designer: Matt Perry
Onward, Production Designer: Noah Klocek
Soul, Production Designer: Steve Pilcher
The Croods: A New Age, Production Designer: Nate Wragg
Wolfwalkers, Production Designers: Ross Stewart, Tomm Moore, Maria Pareja

NOMINEES FOR TELEVISION ARE:

ONE-HOUR PERIOD OR FANTASY SINGLE-CAMERA SERIES
Lovecraft Country: “I Am”
Production Designer: Kalina Ivanov

Perry Mason: “Chapter Three”
Production Designer: John Perry Goldsmith

The Crown: “War”
Production Designer: Martin Childs

The Mandalorian: “Chapter 13: The Jedi”
Production Designers: Andrew L. Jones, Doug Chiang

Westworld: “Parce Domine”
Production Designer: Howard Cummings

ONE-HOUR CONTEMPORARY SINGLE-CAMERA SERIES
Killing Eve: “Are You from Pinner?”
Production Designer: Laurence Dorman

Ozark: “Wartime”
Production Designer: David Bomba

The Flight Attendant: “After Dark”
Production Designer: Sara K. White

The Twilight Zone: “Among the Untrodden”
Production Designer: Michael Wylie

Utopia: “Just a Fanboy”
Production Designer: Steve Arnold

TELEVISION MOVIE OR LIMITED SERIES
Fargo, Production Designer: Warren Alan Young
Hollywood, Production Designer: Matthew Flood Ferguson
Little Fires Everywhere, Production Designer: Jessica Kender
The Alienist: Angel of Darkness, Production Designer: Ruth Ammon
The Queen’s Gambit, Production Designer: Uli Hanisch

HALF HOUR SINGLE-CAMERA SERIES
Dead to Me: “You Don’t Have to Go,” “It Had to Be You”
Production Designer: L.J. Houdyshell

Emily in Paris: “Emily in Paris”
Production Designer: Anne Seibel

Mythic Quest: Raven’s Banquet: “Pilot”
Production Designer: Mark Worthington

Space Force: “THE LAUNCH”
Production Designer: Susie Mancini

What We Do in the Shadows: “Resurrection,” “Collaboration,” “Witches”
Production Designer: Kate Bunch

MULTI-CAMERA SERIES
Ashley Garcia: Genius in Love: “Unintended Consequences”
Production Designer: Josee F. Lemonnier

Bob Hearts Abishola: “Randy’s a Wrangler,” “Paris is for Lovers, Not Mothers” “Straight Outta Lagos”
Production Designer: John Shaffner

Family Reunion: “Remember When Jade Was Down with the Swirl?” “Remember When Shaka Got Beat Up?”
Production Designer: Aiyana Trotter

The Neighborhood: “Welcome to the New Pastor,” “Welcome to the Hockey Game”
Production Designer: Wendell Johnson

Will & Grace: “Accidentally on Porpoise,” “We Love Lucy,” “It’s Time”
Production Designer: Glenda Rovello

SHORT FORMAT: WEB SERIES, MUSIC VIDEO OR COMMERCIAL
Adidas Originals: “Superstar – Change is a Team Sport”
Production Designer: Ruth De Jong

Apple: “Vertical Cinema”
Production Designer: Shane Valentino

Camila Cabello: “My Oh My”
Production Designer: François Audouy

Harry Styles: “Falling”
Production Designer: François Audouy

Taylor Swift: “Cardigan”
Production Designer: Ethan Tobman

VARIETY, REALITY OR COMPETITION SERIES
Earth to Ned: “Ned: The Musical”
Production Designer: Darcy Prevost

Saturday Night Live: “Host: John Mulaney + Music: David Byrne,” Host: Adele + Music: H.E.R.,” “Host: Dave Chappelle + Music: Foo Fighters”
Production Designers: Keith Raywood, Eugene Lee, Akira Yoshimura, N. Joseph De Tullio

The Masked Singer: “The Season Premiere – The Masks Return”
Production Designer: James Connelly

The Voice: “Live Finale Ep. 18,” “The Blind Auditions, Season Premiere Ep. 1,”The Battles Premiere Ep. 6″
Production Designers: Zeya Maurer, James Connelly, Anton Goss

Wheel of Fortune: “Consumer Cellular Secret Santa,” “Fabulous Food”
Production Designer: Renee Hoss-Johnson

VARIETY SPECIAL
Black Is King
Production Designers: Hannah Beachler, Carlos Laszlo, Susan Linss, Miranda Lorenz, Brandon Mendez, Rika Nakanishi, Ethan Tobman

Democratic National Convention 2020
Production Designer: Bruce Rodgers

Super Bowl Half Time Show Starring Jennifer Lopez & Shakira
Production Designer: Bruce Rodgers

The Oscars
Production Designer: Jason Sherwood

Yearly Departed
Production Designer: Suzuki Ingerslev

This article originally appeared on The Hollywood Reporter.

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